On the balmy evening at McMenamins Edgefield in Troutdale became a sanctuary for fans of The National as the revered band took the stage for a two-night residency. Led by the enigmatic Matt Berninger and his smooth baritone vocals, The National embarked on a sonic journey rooted in the raw vulnerability of their early days, highlighted by their latest release, "First Two Pages of Frankenstein."

While some may argue that The National's momentum has ebbed over the years, there's an undeniable allure to their live performances, amplified by the addition of razzle-dazzle lights and expansive screens that adorned the stage. It's a testament to the band's unwavering dedication and countless hours of rehearsal that they achieve a level of musical tightness only attainable through years of honing their craft.

For the devout fans gathered in the first few rows at Edgefield, each night was a pilgrimage of emotions, as The National delved deep into their expansive catalog, offering a curated selection of tracks that traversed the spectrum of human experience. From introspective ballads to anthemic rockers, each song carried with it a weight of nostalgia and introspection, enveloping the audience in a cocoon of sonic catharsis.

With their trademark chill, emo-esque tones serving as the backdrop, The National captivated their audience with an intensity that bordered on the sublime. Berninger's introspective lyrics, delivered with a raw authenticity that belied his onstage persona, struck a chord with fans old and new, serving as a poignant reminder of the band's enduring relevance in an ever-changing musical landscape.

As the final notes of each night's performance hung in the air, there was a collective sense of gratitude among the audience – gratitude for the opportunity to bear witness to The National's evolution, gratitude for the shared moments of connection and reflection, and gratitude for the timeless beauty of music that transcends boundaries and speaks to the depths of the human soul.

In the end, The National at McMenamins Edgefield was more than just a concert – it was a transformative experience, a testament to the enduring power of art to move, inspire, and unite us all. And as the echoes of their performance faded into the night, we were left with a lingering sense of awe and wonder, eagerly anticipating the next chapter in The National's illustrious journey.

Set list includes:
“Once Upon a Poolside”
”Tropic Morning News”
”Murder Me Rachael”/”Humiliation”
”Space Invader (Threaded Gold)” unreleased

photos by Julia Varga